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Are barcodes necessary for self-published books?

By Blog, Industry

Are barcodes necessary for self-published books?Are barcodes necessary for self-published books? The answer for authors who are using ebook services such as Amazon KDP, iTunes Connect, and Nook Press, is “no“. If you have an ebook cover for your book, there is no need to place a barcode on it. Barcodes are only intended for people who sell paperback or hardcover books, so the people at the checkout counter or distribution center can scan them.

Even if you use a service like CreateSpace or Lightning Source to print your books, you still don’t need to purchase barcodes. Both companies will provide a barcode for free (based on the ISBN you use) and apply it to the rear cover during the production process. Note that your cover designer may need to create a small white rectangular box for the barcode to appear in.

When barcodes are necessary for self-published books

Now, if you are planning to do a large print run through an offset printer and ship the lot to Barnes & Noble, then yes, you will need to apply a barcode to the back of every book. But frankly, if you are selling enough books to do consider a large run, you probably should have a publisher or professional printing firm handle those details, rather than taking the DIY route.

If you do want to try the DIY route, I use this free book barcode generator based on an ISBN I supply. It’s how I created the inset barcode for our popular book that explains what is C. diff. My designer vertically truncates it to fit the small space on the back of my book.

Bottom line: You probably don’t need to pay for barcodes. Don’t purchase one from Bowker, which exploits new authors with overpriced and often unnecessary services. If you plan a professional printing run in order to distribute books through a retailer, you will need to add barcodes … but it’s possible to get them for little or no money. Talk with an experienced book cover designer who should also be able to help you generate and place a barcode on the back of your books.

B&N’s strategy with Nook Press: Own the editorial process

By Blog, Industry

This morning, I received Barnes & Noble’s official announcement of Nook Press. There has been a lot of speculation about B&N’s intentions for the Nook and Pubit (its self-publishing platform, akin to Amazon KDP), but the email made it clear that B&N’s main aim is to “own” the editorial process.

The first three bullets list the following features of Nook Press:

  • NEW! One-stop Publishing Solution: Write, edit, format and publish your eBooks in our web-based platform, instantly reaching millions of NOOK customers within 72 hours.
  • NEW! Easy ePub Creation and Editing: Upload your manuscript file and make changes directly in NOOK Press. Editing and previewing in one session saves you time and effort.
  • NEW! Integrated Collaboration: Collaborate with editors, copyeditors, and friends, allowing them to review and comment on your manuscript without ever leaving NOOK Press.

In other words, what B&N wants authors to start doing is having the editorial processes take place inside the Nook platform. This potentially replaces the hodge-podge of processes and tools that authors use now, such as:

  • Writing manuscripts in Word, Pages, Google Docs or Scrivener
  • Collaborating with other authors/editors using Email, Dropbox, Google Drive, and other tools
  • Creating/modifying ePub files using Scrivener, Pages, Sigil, Smashwords, etc.

It’s important to note that no one really owns this space, especially the 800-pound gorilla whose name begins with A and ends with N. If you asked 10 independent authors about their editorial workflows, I suspect you’d get 10 different answers, with a heavy emphasis on Word, email, and Smashwords.

Nook PressStrategically, it’s a savvy move. While Scrivener, Sigil, and a few other professional authoring and publishing tools exist, they are do not incorporate collaborative editing processes and require some technical skills to use. If Nook Press works as advertised and B&N can convince authors to start writing and editing books inside of Nook Press, it could result in A) author “lock in” B) more content for the Nook platform and C) more power for B&N to fight the Amazon juggernaut.

But that’s a big “if”. I only gave it a quick spin, testing the .ePub export function (I wanted to see if it inserted Nook metadata into existing ePub files, and was unable to find any, which is a good thing). However, I am not going to use Nook Press for writing or editing in the near term. I am happy with my current toolset (based on Dropbox, Google Drive, and Scrivener), and am concerned about bugs or other early problems with the tool. In addition, I don’t want to force my copy editor and collaborators to learn a new tool — Google Docs and Word work well enough.

Why I moved my book websites from Blogger to WordPress (with examples)

By Blog, Industry

Since incorporating my ebook venture at the beginning of this year, I have spent a lot of time (maybe too much time) updating the online presences for various In 30 Minutes™ guides and videos. This has involved several steps, including 1) Migrating certain pieces of content from the old Blogger websites to the new WordPress sites and 2) creating new content for the new websites (for example, the new “What Is Google Drive?” webpage that I created for the product website for “Google Drive & Docs In 30 Minutes” earlier today).

In this post, I am not going to get into the nitty-gritty details of the steps involved in migrating content or setting up a WordPress site. Rather, the focus is on why I moved the book websites from Blogger to WordPress, particularly considering the Blogger-based sites were only six months old.

I have several reasons why I started with Blogger:

  1. The original Blogger sites were set up as experiments. In the summer of 2012, I launched the ebook venture, having no idea if it would be a success. I needed a flexible, low-risk website solution — and Blogger fit the bill. If it didn’t work out, I’d only be out a small amount of money ($10 per site) and a few hours of time per site.
  2. Blogger-based sites are much easier to set up than WordPress. A basic site can be whipped up in an hour or two, and I developed a few “hacks” (described in Google Blogger For Small Businesses In 30 Minutes) to make static product sites using Blogger.
  3. Sites with hosted domains on Blogger are cheaper than WordPress. A dot.com website costs just $10 for the domain and hosting is free and robust (I’ve had pages that have been slashdotted and they never go down!). WordPress domains can be had for the same price, but hosting is $30-$40 per year … or more, if you need additional bandwidth.
  4. I didn’t know if the In 30 Minutes “brand” would be dropped in favor of something else. I actually tried another brand for one title (“The Rogue Manual”) and considered others, including “In 20 Minutes” and “In 33 Minutes” (don’t ask!). Creating WordPress sites for each brand type would be expensive and time-consuming.

These are the reasons I started with Blogger. However, I should note that when I created the product sites on Blogger, I knew that I might migrate them to WordPress if the idea took off. Why? In a nutshell, Blogger is an imperfect solution. It may be cheap and easy to set up, but the templates don’t look great. Further, while the functionality is sufficient for creating online content, adding product links and buttons, and performing other basic tasks, WordPress takes things to a much higher level. I knew from working on WordPress blogs in the past that there are some gorgeous WP themes available, as well as plug-ins and other tools that can really supercharge websites.

What eventually happened? I launched my product sites on Blogger starting in the summer of 2012. Here’s what the old product site for “Google Drive & Docs In 30 Minutes” looked like:

Google Drive old site

As you can see, it covered the basics — a cover image, pricing, buttons to buy the ebook/paperback, etc. Even though I started to get some sales through the website, the appearance bothered me. It was nowhere near the quality and professionalism of the actual book cover for “Google Drive & Docs In 30 Minutes”, which was handled by a professional graphic designer in Rhode Island. I worried that the poor Blogger templates might be turning some potential customers away.

In early 2013, it was clear that the In 30 Minutes concept was working. I was selling hundreds of ebooks and paperbacks, and had been profitable since the second month of operations. I incorporated and decided to move the official product sites to In30Minutes.com, using subdomains for each one of the titles. I found a good theme for the master site (In30Minutes.com), and then strong product themes with a solid call-to-action for individual titles on the subdomains. Here’s what googledrive.in30minutes.com looks like now:

Google Drive user guide

All of the other titles are using the same theme (Responsive, which I have modified using child themes). For most of the WordPress product sites, I have added “buy” and “author” pages. Most of the product sites have individual blogs devoted to the topics covered in the guides, which mostly contain text posts and videos that can help readers. I also added several WordPress plugins, one of which has no equivalent in Blogger.

However, I haven’t deleted the old Blogger sites yet. The main reason is they still get traffic. For people hitting the old sites, when it comes time for them to make a purchase I link off to the “Buy” pages on the new sites. In the future, I may add 301 redirects, but want to make sure I have everything ready on the new sites before I throw the switch.

For other authors reading this post, have you considered WordPress for your book or author sites? Why or why not?

Bowker ripoff: A 12,500% ISBN markup for new authors

By Blog, Industry

If you’re an American author or publisher, and you want to publish a print edition of your book, you’ll eventually have to get an ISBN (International Standard Book Number) assigned to the title. ISBN records contain author, publisher, size, format, topic-related information, pricing, and other data needed by retailers, libraries, and book distribution systems. Some authors leave it up to their publishers or distributors such as CreateSpace and Smashwords. But others opt for the DIY route, which gives them more control over the ISBN data as well as a slight marketing edge (a self-purchased ISBN will reflect the name of the author’s publishing company or imprint). Purchasing an ISBN involves going through Bowker, an old-school publishing services company that is the sole issuer of ISBNs in the United States. Bowker was founded in the 1870s, is listed as an affiliate of ProQuest, and offers a myriad of services targeting the publishing industry. Sadly, and perhaps not surprisingly, Bowker has leveraged its monopoly power to rip off independent authors and publishers, using mercenary pricing for ISBNs and other services. The Bowker ripoff is a racket that targets new authors who are trying to get their first books in print.

How bad is the Bowker ripoff? If you’re a publisher needing lots of ISBNs, the price is $1 per ISBN — but you need to order 1,000. If, on the other hand, you only have one book and plan on releasing only one version (such as a single print-on-demand title) Bowker demands $125 — a 12,500% markup. The screenshot below from the Bowker website (I am citing Fair Use to illustrate) shows Bowker’s current pricing plans:

Bowker ripoff report

Actually, the markup is a lot more than 12,500%, if you consider the cost of the service. After all, it costs practically nothing when an author uses Bowker’s Web-based forms to create and store a new ISBN record. The cost structure is so inexpensive that Canada even gives away ISBNs to Canadian authors for free.

How much is Bowker making off ISBN sales to new and independent authors? The company did not respond to my March 5 email about ISBN pricing. Bowker LLC is not a public company, so there is no public annual report. However, Bowker made this claim last year:

Small presses, a category that is defined as publishers who have produced 10 or fewer books, accounted for 34,107 self-published titles — 21,256 print and 12,851 e-books — in 2011.

The number of self-published authors/small press titles probably grew in 2012, in line with growing tablet/e-reader demand, and the expansion of Amazon’s Kindle Direct Publishing program for independent authors. While not every author purchased ISBNs at $125 a pop (Bowker’s pricing scale includes more “cost effective” plans for self publishers, including 10 ISBNs for $250), Bowker nevertheless enjoyed multi-million dollar profits on the backs of new and independent authors and small publishers.

Other Bowker ripoff services

Hold on. Surely Bowker offers additional services to new authors that make it worth their while to pay $125 for a 13-digit number. Right?

Not that I can see. In fact, once an author has bought an ISBN, Bowker layers on even more mercenary upsells, like $25 barcodes and the “View Inside” widget ($120 for the first year, $60/year thereafter). Bowker claims this widget, which can be embedded on blogs or author websites, lets authors go “viral” through sharing on social networks and connecting with affiliate programs, such as Amazon Associates. Never mind that there are hundreds of free social media widgets available, and Amazon Associates has a fine selection of free widgets that authors can embed on their blogs and websites.

The Bowker ripoff aside, I could complain about other aspects of Bowker’s ISBN services, including the terrible user interface for assigning ISBNs and the bizarre request that authors upload PDFs of their books to Bowker so they can resell keyword data to their corporate customers (naturally, authors don’t get a cut). But I’ll have to leave that rant for another day.

Bottom line: Bowker is (in my humble opinion) an old-school publishing services monopoly that rips off new and naïve authors with massively overpriced digital services. I would love to see the company investigated on antitrust or unfair pricing grounds, but until that happens I can offer only a few pieces of advice to new authors:

  1. For your first print book, consider using free ISBNs offered by CreateSpace or Smashwords. It’s not ideal, but if sales take off you can always reissue the book using an ISBN that you purchase yourself or one that your publishing company buys.
  2. Self-published e-books do not require ISBNs! Amazon, iTunes, Pubit, Kobo, as well as digital content seller platforms like e-junkie and Gumroad, do not require authors to use ISBNs.

I unfortunately learned the last lesson the hard way, after using up a half-dozen overpriced ISBNs for early ebook versions of Dropbox In 30 Minutes and Google Drive & Docs In 30 Minutes. But for the latest In 30 Minutes title, Derek Slater’s Online Content Marketing In 30 Minutes, I only assigned an ISBN to the paperback edition. The Kindle, iPad, Nook, and PDF versions do not have ISBNs. As far as I can tell, ISBN-less ebooks are treated the same by Amazon and the other sales channels.

UPDATE: As of December 2015, the Bowker ripoff has gotten even worse has jacked up the price of the package specifically targeting indie authors by nearly 20%. The price of the ten ISBN package is now $295, compared to $250 in 2013.

The “Spotify for books” model: Great for readers, terrible for authors and publishers

By Blog, Industry

I am a fan of Spotify, the streaming music service that offers millions of tracks for free over the Internet. As a listener, I love the ability to find old favorites or discover new artists. Having to put up with occasional ads is not much different than listening to radio. If I had more disposable income, I would pay the $5 monthly fee for Spotify Premium — which does away with the ads and lets you download music to portable devices, like iPods and mobile phones. Would I be interested in a Spotify for books? There are such services popping up, like Bookboard for kids books and 24symbols in the U.K. for adult readers. Amazon also offers free downloads for some ebooks.

As a reader, free books are very appealing. I already use the library to borrow books, and the idea of getting free ebooks on my iPad or Kindle is attractive.

But as an author and publisher (The In 30 Minutes catalogue includes Online Content Marketing In 30 Minutes, Dropbox In 30 Minutes, Excel Basics In 30 Minutes and a Google Docs for Dummies alternative) I’m very concerned about any model that depends on free giveaways that result in little or no returns for the writers and publishers.

Spotify for books and Amazon KDP

For instance, the “free days” on Amazon’s KDP Select (which are the source of the free downloads on Amazon.com) have turned into a joke for me and other authors. KDP Select requires indie authors and publishers to only distribute through Amazon (no iTunes or Nook!) and in return gives them five days every 90 days in which they can price their book for free. The free days are supposed to attract lots of downloads from Amazon readers, while delivering a nominal price to participating authors. However, the last time I looked, my single KDP Select title delivered an average of 1 cent per download from the KDP Select fund. That’s comparable with the money musicians get every time someone plays one of their tracks on Spotify, according to various sources.

I withdrew my single title from KDP Select, and have no plans to use the KDP Select service again — unless Amazon can figure out a plan that brings more than a few pennies each time readers download books on the free download days. The same goes for other services that try to ape the Spotify for books model, or depend on loads of free giveaways. Unless there’s something tangible in it for authors, I’ll pass.