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New paperback edition of PATRICK released in the U.S.

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New paperback edition of PATRICK released in the U.S.

FOR IMMEDIATE RELEASE

PATRICK: A novel by Kevin G. McGuireNewton, Mass., October 21 – Publisher i30 Media has just released a new paperback edition of PATRICK by author Kevin G. McGuire. The novel, set in New York in the 1980s, relates to a story of a young man using a wheelchair who has several coming-of-age experiences during a visit to a New York City hospital. The author’s statement about the book and how it relates to his own experience growing up is published below.

The i30 Media edition of PATRICK (ISBN 978-1939924094) can be purchased online via patricknovel.com or in bookstores around the country. International editions will be available in November.

AUTHOR’S STATEMENT

In 1968, at the age of seven, I was struck by an intoxicated driver while playing baseball. This accident left me paralyzed from the waist down and has since forced me to use a wheelchair. Every summer following the accident, I was required to check into a New York City hospital for one week of physical evaluations and tests.

At this hospital, I was treated by the same physical therapists, nurses, and doctors; I was also assigned the same room. This room was invariably occupied with individuals who were from different ethnic, social, and economic backgrounds. They were admitted to the hospital for various reasons.

I quickly realized that no matter how different my roommates were, the bonding that took place during these short visits was incredible. It was amazing both in celerity, as well as intensity. Our injuries, sicknesses, and the hospital room seemed to insulate us from the prejudices and hatred of the outside world.

I also discovered that as quickly as this bonding took hold in the hospital room, it left just as quickly as we returned to our natural environments. All the promises about visiting and keeping in touch vanished as soon as we were discharged. More importantly, the prejudices that dissipated within our hospital boundaries reappeared as we left our cocoon.

At the age of seventeen, I shared the most intense seven days of my life with three roommates at this New York City hospital. I will always love but will never see or talk with my roommates again.

I entered the hospital that week not yet an adult, but left no longer a child.

PATRICK is inspired by those seven days.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

For more information about PATRICK, please visit the official PATRICK website located at patricknovel.com. For other inquiries, please contact Ian Lamont at i30 Media at ian@i30media.com or 617 213-0811.

App Annie ebook tracking tool launches

By Blog, Industry

Gather around, people. I’ve got some news to share: The App Annie ebook stats tool has launched. This is a huge development for authors and publishers who use sales and ranking metrics. PaidContent has the story:

App Annie plans to announce Tuesday that it’s expanding into ebook analytics. It will provide publishers with two free products: An Analytics tool that lets publishers track sales and download data from the Kindle Store and the iBookstore into one dashboard, and a “Store Stats” tool that lets them view ebook market trends across a database of about a million titles.

The link to sign up is on the App Annie blog.

I’ve used App Annie in the past to track sales and ranking of an app that my old company developed, and it was a huge time-saver. It also let me compare the app against other apps, which was a big deal, as we were going head to head with other app developers.

So I was very happy to see App Annie has expanded to ebooks. Until today, I have tracked ranking and sales manually through two giant spreadsheets (one for sales, one for KDP and Createspace rankings), so a free tool that aggregates data and lets me easily check the ranking of competitors is huge. While not every author cares about competing titles, it’s a big deal for any publisher of guidebooks or reference titles.

The signup is easy and you can get insights into your books right away. I signed up about an hour ago, and within 5 minutes was able to search for my titles and get downloads (by country), revenue, and other data points:

App Annie ebooks tracking tool

Sales data is private to you, and anyone else you share the reports with. Ranking is public information, so besides your own ranking you can check on the competition, and see trends over time (for instance, related to new releases or price changes).

I have to add that the iTunes tracking is WAY superior to Apple’s own tracking tools on iTunes Connect.

The cons?

  • It’s only KDP and iTunes. No Kobo, B&N, LSI, etc.
  • Rankings only show up if you reach the top 100 in a category.
  • Paranoid authors and publishers may not want to let a tool like App Annie have access to the data. They claim the data is encrypted and they will “never, ever” share data, but as we all know from news related to credit card companies, banks, phone companies, and the NSA, security can be breached.

These concerns aside, I think App Annie is a great tool. If you are an author or publisher, it’s well worth trying out, if only to get your head around iTunes sales.

Scribd’s ebook subscription service: Why authors should be skeptical

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(Updated) Inc. magazine just published a blog post titled Why Are E-Book Subscription Start-Ups So Hot? It mentioned Scribd, the PDF-and slideshow-hosting service which has just added a $9 per month subscription service for ebooks. Writer Stephanie Meyers concentrates on the tepid response from large publishers, but I wanted to highlight another view — what independent publishers and authors think about their ebooks appearing in a subscription-based catalog. I’m the founder of In 30 Minutes guides, and have authored many titles, including the just-released Twitter user guide, Twitter In 30 Minutes. I have some opinions about this topic, as well as some questions about how Scribd’s scheme works for ordinary authors.

scribd subscription authors

First, it’s worth asking what authors will make from the service. It’s not clear. Scribd’s website urges readers to “support authors. Your proceeds go to writers” but the Scribd FAQ on the subject only says this:

Are authors being paid when I read books this way?

Yes. Scribd’s subscription service operates legally through agreements with authors and publishing partners. Revenue that Scribd earns from monthly subscription fees is paid out to the original authors of the included titles, ensuring that they can continue to write great books.

GigaOM dug a little deeper, but no hard figures emerged:

Scribd — like Oyster — is a bit vague on how authors are being paid. Payments currently “vary a bit by publisher,” Adler told me, and said Scribd “[plans] to eventually be public about the terms.” But HarperCollins CEO Murray told Publishers Lunch, “We have negotiated very hard, to the point where if the whole business went this way, we and our authors would be very pleased, because the economics are more favorable…[it’s] the exact opposite of the music industry’s subscriptions models. The revenues that go to our authors is up, somewhat significantly.”

Murray is apparently referring to Spotify and other subscription-based music services, which are famous for paying content creators next to nothing. NPR reported last year that independent artists were getting $0.004 per play on Spotify, and many large artists refuse to place their music on the service. The same article reported that large music companies give artists less than a 20% royalty.

Think about that for a moment. Spotify and the labels get most of the money from subscribers and advertisers. The artists get the scraps. I’m very suspicious that HarperCollins’ arrangement with Scribd, far from being the “opposite” of the music industry’s subscription agreements with labels, will actually be very similar: The platform and the middlemen will make most of the dough, while the content creators get pennies.

So, Scribd, how much will authors get per read under your subscription plan? If it’s pennies per read, and it’s cannibalizing book sales, why would I ever sign up for such a scheme?

Update: See my follow-up post on this topic, Authors as an afterthought in the ebook subscription marketplace

How to remove a book from sale in iTunes Connect

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I just took iPod Touch In 30 Minutes off sale in iTunes Connect. The reason: The guide was written for iOS 6, but Apple is updating the iOS operating system to version 7 this week. I haven’t had a chance to do a proper test or get new screenshots that are required for a new version of the guide, so I decided to remove it until I or another editor has a chance to tackle this task. But the focus of this post is the process for how to remove a book from iTunes Connect. It’s easy to do and does not involve iTunes Producer, the clunky software that Apple currently requires for uploading new titles to iTunes.

How to remove a book from sale in iTunes Connect: Step-by-step

Here’s how to use iTunes Connect to take a book off sale in a specific market (for instance, Canada and the U.K., but not the U.S.) or all territories.

  1. Log into iTunes for authors (iTunes Connect)
  2. Select Manage Books. You will see your books listed. Click on the one that you want to take off sale.
  3. Click the Rights and Pricing button. You will see a list of all of the countries that the book is sold in.
  4. Click Edit Existing Territories.
  5. On the drop-down menu that says “Cleared For Sale” change the default “No Change” to “No
  6. Select the territories you want to remove the book from sale by clicking the checkbox next to the country name(s). If you want to remove it from sale everywhere, click the Select All button.
  7. Scroll to the bottom of the page and click the button that says Continue.
  8. You will be asked to confirm your selection for each of the territories. You don’t need to do anything on this page except click the Confirm button. This is a strange screen, because it doesn’t clearly state that the book is being removed from sale … but the next screen will show that it is.
  9. You will be brought back to the Rights and Pricing screen. The countries which you selected to remove the book from sale will have a red circle next to it and the text “Not on Store” (see screenshot, below). Press the Done button at the bottom of the screen.
  10. You will be brought back to the main page for that book, and “Status” will show a red circle and the message “Not on n Stores” where n is the number of countries that no longer carry the book. A green circle will show the number of territories where the book is still available, if you left them on sale anywhere else.

REQUEST: If this post helped you, please consider sharing it on Twitter, LinkedIn, Facebook, a blog or forum, etc. Thanks!

Screenshot of iTunes Connect with titles removed from sale:

How to remove a book from sale in iTunes Connect

How to remove a book from sale in iTunes Connect

 

Twitter In 30 Minutes: Author needed!

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Readers have been asking for an In 30 Minutes® guide to Twitter. If you are a writer, know Twitter like the back of your hand, and are interested in helping newbies get up to speed with Twitter, then let’s talk! First, I will share a few details about what this assignment entails.

In 30 Minutes guides are designed to make mildly complex topics easy to understand. Most topics relate to software (Dropbox In 30 Minutes) or other hardware and software technologies, although we recently released a health-related title that was written by a doctor (C Diff In 30 Minutes). They are not comprehensive tomes that cover every aspect or use case under the sun, but rather serve as quick-start guides that can get mainstream audiences up to speed in just 30 minutes. Readers love the “In 30 Minutes” concept, and appreciate the contents, which really make it easy to understand these subjects and take action. Many readers end up buying more than one book.

In 30 Minutes guides don’t take long to write. They range in length from 10,000 to 15,000 words — about 1/5th the length of a typical novel. You can see a sample table of contents on What’s Inside Dropbox In 30 Minutes. For authors who have full-time jobs, it typically takes 3-4 weeks to produce a first draft, writing nights and on weekends. subsequent drafts and special content (such as producing screenshots) take an additional two weeks.

The style is very casual and reassuring, with lots of bullet points and step-by-step instructions. Here is a sample page from Melanie Pinola’s LinkedIn In 30 Minutes: How to create a rock-solid LinkedIn profile and build connections that matter:

… It’s crucial to understand what separates an average LinkedIn profile from those that truly stand out. Many people make the mistake of breezing through LinkedIn’s simple wizards to create the most barebones online profile. They then walk away, only to later wonder why LinkedIn “doesn’t work” or do anything for them. Although you can add as little information to your profile as you want, the more you customize your page, the better your chances of LinkedIn actually being a useful tool (instead of something that’s there just for the heck of it, like a stack of business cards you never hand out.)

To make your profile as effective as possible, we’ll use a three-prong strategy:

  1. Align your profile with your goals (so you attract the right kinds of opportunities)

  2. Incorporate search-friendly keywords to highlight your skills and strengths (this will make it easier for people to find you on the network)

  3. Create as complete a profile as possible (so anyone who reads your profile will know what you’re all about)

In many ways, the “voice” in In 30 Minutes guides is similar to what you might find in a blog … and, in fact, if you are an experienced blogger, that will serve you well as you write and market the guide!

The guides also include screenshots and a few photos to make the topic easier to understand. I generally ask the authors to gather the screenshots. Photos, if used, are generally stock photography, and diagrams will either be created by the publishing company or our graphic designer.

You may be asking: Why not simply produce a Twitter guide and self-publish on Amazon or Smashwords? Here are some reasons why it makes sense to write an In 30 Minutes guide, as opposed to doing it by yourself:

  • i30 Media Corporation (the publisher of In 30 Minutes guides) is an independent publisher that has released nearly 10 titles in the last year, and has been profitable since the beginning.
  • In 30 Minutes is a brand. Readers recognize it, and some of them go out of their way to look for other titles. It’s also a registered trademark.
  • All In 30 Minutes guides are professionally edited and produced.
  • The finished product is released by i30 Media Corporation on various ebook platforms (Kindle, iPad, Nook) as well as in PDF format and paperback books. All paperback titles can be ordered through Amazon as well as the distribution system that serves libraries and bookstores.
  • We realize the importance of marketing. Although we can’t afford big-budget advertising campaigns, we are very savvy about inbound marketing and other creative ways of attracting readers. Authors who are willing and able to actively participate in marketing the guides double the already generous royalty rate.
  • We do not charge publishing or marketing costs against authors’ royalties.

If you’re interested in learning more, please contact me at ian -at- in30minutes dot com. I’d be glad to answer any questions about writing Twitter In 30 Minutes. If you have an idea for another topic, I’d be happy to hear your pitch, too — just send a one-paragraph introduction and a short list of some of the chapter headings.